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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Leonardo & Painting. [English Edition]

C.B. Cartei & Bianchi Edizioni sas

Foligno, 2010; paperback, pp. 160, col. ill., col. plates, cm 16x18.

Other editions available: Edizione Italiana (ISBN: 88-95686-17-9). French Edition (ISBN: 88-95686-24-1).

ISBN: 88-95686-24-1 - EAN13: 9788895686240

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  italian text  

Weight: 0.4 kg


Leonardo was an apprentice in Verrocchio's workshop, where the young artist was fascinated by the lively and updated environment. Verrocchio taught the practice of drawing to the young Leonardo, who learnt how to describe the world around him with meticulous observation. Moreover, the artist made models in plaster or clay to better understand the world around him in order to reproduce it perfectly. This book wants to trace the career of the artist, passing from the first works by Leonardo with Verrocchio, influenced by the fertile background of Florence at the end of the fifteenth century, to the greater masterpieces.
The book also contains a section on the lost works.
A train of thoughts connects and explains great frescoes, small paintings and prestigious commissions that have influenced so many artists.
Through the pages of the book, a sort of "School of the world" is traced, revealing the myth of Leonardo.

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