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DEAL OF THE DAY

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

cover price: € 240.00

Telemaco Signorini. Catalogo generale ragionato delle opere

Total price: € 240.00 € 740.00 add to cart carrello

Books included in the offer:

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

FREE (cover price: € 240.00)

Telemaco Signorini. Catalogo generale ragionato delle opere

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).

FREE (cover price: € 250.00)

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).

FREE (cover price: € 250.00)

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

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Gaspar Van Wittel. Views of Italy. Cesare Lampronti Fine Old Master Printings

Gaspar Van Wittel. Views of Italy. Cesare Lampronti Fine Old Master Printings

Gangemi Editore

Edited by Tarizzo E.
Londra, 28 Giugno - 28 Luglio 2013.
Rome, Galleria Cesare Lampronti, 28 June - 28 July 2013.
English Text.
Roma, 2013; paperback, pp. 57, ill., col. plates, cm 21,5x30.
(Arti Visive, Architettura e Urbanistica).

series: Arti Visive, Architettura e Urbanistica

ISBN: 88-492-2661-6 - EAN13: 9788849226614

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages: english text  

Weight: 0.331 kg


Gaspar van Wittel succeeded above all other artists in capturing the lights, mysteries and poetry of Rome, skilfully bringing together the painting technique of the Dutch School he had learnt during his apprenticeship with the intense emotional character of Roman 17th Century art, which he had encountered upon his arrival in Italy.

The decision to inaugurate our new London Gallery with an exhibition devoted to van Wittel has for me a very special significance. First because throughout my career the work of van Wittel has been the focus of particular attention and research; and secondly, because I hope that this Gallery will be a window on Italian culture in the heart of London.

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