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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Marco Fantini. Antilogia

Marco Fantini. Antilogia

Edizioni Charta

Napoli, CASTEL SANT'ELMO.
Napoli, Castel Sant'Elmo, October 8 - November 8, 2010.
Italian and English Text.
Milano, 2010; paperback, pp. 176, 16 b/w ill., 115 col. ill., cm 20,5x26.

ISBN: 88-8158-802-1 - EAN13: 9788881588022

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting,Photography,Sculpture

Period: 1960- Contemporary Period

Languages: english, italian text   english, italian text  

Weight: 0.77 kg


The art of painter, sculptor, photographer and director Marco Fantini (born 1965) is unified by two recurrent concerns: doubt and contradiction. "I doubt everything and tend to conceive opposing possibilities for every situation," Fantini attests, lending his work a restlessness that, over the 15-year course of his career, has produced one of the most oxymoronic bodies of work in contemporary Italian art.

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