Bernardo Strozzi (1582-1644). La conquista del colore
Genova, Palazzo Lomellino, October 11, 2019 - January 12, 2020.
Edited by Orlando A. and Sanguineti D.
Genova, 2019; paperback, pp. 400, b/w and col. ill., col. plates, cm 21x28.
cover price: € 50.00
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Books included in the offer:
Bernardo Strozzi (1582-1644). La conquista del colore
Genova, Palazzo Lomellino, October 11, 2019 - January 12, 2020.
Edited by Orlando A. and Sanguineti D.
Genova, 2019; paperback, pp. 400, b/w and col. ill., col. plates, cm 21x28.
FREE (cover price: € 50.00)
Thomas Gainsborough (1727-1788)
Ferrara, Palazzo dei Diamanti, June 7 - August 30, 1998.
Ferrara, 1998; clothbound, pp. 244, 98 b/w ill., 90 col. plates, cm 23x30.
FREE (cover price: € 55.00)
Da Canaletto a Constable. Vedute di Città e di Campagna dallo Yale Center For British Art
Ferrara, Palazzo dei Diamanti, February 25 - May 20, 2001.
Ferrara, 2001; paperback, pp. 198, 60 col. plates, cm 23x30.
FREE (cover price: € 44.93)
Il cubismo. Rivoluzione e tradizione
Ferrara, Palazzo dei Diamanti, October 3, 2004 - January 9, 2005.
Ferrara, 2004; paperback, pp. 311, b/w and col. ill., 90 numbered col. plates, cm 23x31.
FREE (cover price: € 50.00)
Miró. La terra
Ferrara, Palazzo dei Diamanti, February 17 - May 25, 2008.
Ferrara, 2008; paperback, pp. 224, 68 b/w ill., 82 col. ill., col. plates, cm 23,5x30,5.
FREE (cover price: € 47.00)
Da Braque a Kandinsky e Chagall. Aimè Maeght e i Suoi Artisti
Ferrara, Palazzo dei Diamanti, February 27 - June 2, 2010.
Translation by Archer M.
Ferrara, 2010; paperback, pp. 192, b/w and col. ill., tavv., cm 23,5x31.
FREE (cover price: € 47.00)
Beato Angelico
Timothy Verdon
Motta 24 ore Cultura
Milano, 2015; bound, pp. 382, 200 col. ill., cm 28x33.
(Grandi Libri d'Arte).
series: Grandi Libri d'Arte
ISBN: 88-6648-233-1 - EAN13: 9788866482338
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting,Religious Architecture/Art
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 4.08 kg
There is, indeed, no other way, as the artist's canonization by Pope John Paul II suggests. For, in the absence of detailed information from contemporary sources, and of the miracles normally requested for canonization, the Church accepted Angelico's painted oeuvre as "proof" of his holiness. The volume thus opens with a study on Angelico as a mystic, in which several of his works are analysed from the point of view of iconography and interpretation. A second chapter considers the saintly man as a professional artist in the historical and cultural context of early Quattrocento Florence, while the following sections reconstruct Angelico's stylistic evolution, from the 1420s through his frescoes at San Marco, his chapel for Pope Nicholas V, his Annunciations, eventually attempting a closing summary of the artist's production.