L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 59.00)
John Hejduk. Soundings. Series of Theory and Architectural Openness
Aiòn Edizioni
Italian and English Text.
Firenze, 2016; paperback, pp. 112, b/w and col. ill., cm 21x25.
(Soundings. Series of Theory and Architectural Openness).
series: Soundings. Series of Theory and Architectural Openness
ISBN: 88-98262-30-2 - EAN13: 9788898262304
Subject: Architects and their Practices,Essays (Art or Architecture)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.3 kg
He was the director of Cooper Union in New York for 25 years, where he inspired generations of young architects, not only american. Hejduk largely abstained from conventional practice, focusing instead on real theoretical projects, developed in several drawings, expressions of a personal rigorous poetic.
His works have a unique stylistic variety which combine a vast knowledge of basic geometrical shapes and elemental biomorphism, with typological variations and the characters of the historical form of the city. He studded his work and drawings with angel, demons, animals and machines, in a game of metamorphosis and transfiguration where architecture takes on the role of sanctuary for art, for culture and for the human spirit.
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