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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

John Hejduk. Soundings. Series of Theory and Architectural Openness

Aiòn Edizioni

Italian and English Text.
Firenze, 2016; paperback, pp. 112, b/w and col. ill., cm 21x25.
(Soundings. Series of Theory and Architectural Openness).

series: Soundings. Series of Theory and Architectural Openness

ISBN: 88-98262-30-2 - EAN13: 9788898262304

Subject: Architects and their Practices,Essays (Art or Architecture)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.3 kg


John Hejduk (N.Y. 1929 - N.Y. 2000) was one of the most original american architects in the 1900s. The corpus of his work includes projects, paintings, poems, drawings, illustrations, critical theoretical essays collected in books and conceived as works of art. Especially known for his theoretical ideas on architecture and the city.
He was the director of Cooper Union in New York for 25 years, where he inspired generations of young architects, not only american. Hejduk largely abstained from conventional practice, focusing instead on real theoretical projects, developed in several drawings, expressions of a personal rigorous poetic.
His works have a unique stylistic variety which combine a vast knowledge of basic geometrical shapes and elemental biomorphism, with typological variations and the characters of the historical form of the city. He studded his work and drawings with angel, demons, animals and machines, in a game of metamorphosis and transfiguration where architecture takes on the role of sanctuary for art, for culture and for the human spirit.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci