Alphonse Mucha
Firenze, Spedale degli Innocenti, October 30, 2023 - February 28, 2024.
Edited by Sato T.
Milano, 2023; hardback, pp. 208, 100 col. ill., cm 24x28.
cover price: € 35.00
|
Books included in the offer:
Alphonse Mucha
Firenze, Spedale degli Innocenti, October 30, 2023 - February 28, 2024.
Edited by Sato T.
Milano, 2023; hardback, pp. 208, 100 col. ill., cm 24x28.
FREE (cover price: € 35.00)
Thomas Gainsborough (1727-1788)
Ferrara, Palazzo dei Diamanti, June 7 - August 30, 1998.
Ferrara, 1998; clothbound, pp. 244, 98 b/w ill., 90 col. plates, cm 23x30.
FREE (cover price: € 55.00)
Da Canaletto a Constable. Vedute di Città e di Campagna dallo Yale Center For British Art
Ferrara, Palazzo dei Diamanti, February 25 - May 20, 2001.
Ferrara, 2001; paperback, pp. 198, 60 col. plates, cm 23x30.
FREE (cover price: € 44.93)
Il cubismo. Rivoluzione e tradizione
Ferrara, Palazzo dei Diamanti, October 3, 2004 - January 9, 2005.
Ferrara, 2004; paperback, pp. 311, b/w and col. ill., 90 numbered col. plates, cm 23x31.
FREE (cover price: € 50.00)
Miró. La terra
Ferrara, Palazzo dei Diamanti, February 17 - May 25, 2008.
Ferrara, 2008; paperback, pp. 224, 68 b/w ill., 82 col. ill., col. plates, cm 23,5x30,5.
FREE (cover price: € 47.00)
Da Braque a Kandinsky e Chagall. Aimè Maeght e i Suoi Artisti
Ferrara, Palazzo dei Diamanti, February 27 - June 2, 2010.
Translation by Archer M.
Ferrara, 2010; paperback, pp. 192, b/w and col. ill., tavv., cm 23,5x31.
FREE (cover price: € 47.00)
Esther Mahlangu. I colori della mia tribù
Carlo Cambi Editore
Calenzano, St.Art Eventi s.c.r.l, May 28 - June 27, 2010.
Calenzano, St. Art Eventi s. c. r. l, May 28 - June 27, 2010.
Edited by Sarenco Fondazione.
Italian and English Text.
Poggibonsi, 2010; paperback, pp. 52, col. ill., cm 24x22.
ISBN: 88-6403-053-0 - EAN13: 9788864030531
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.22 kg
In the rooms of St.Art Events in Calenzano we can appreciate the brilliant paintings of this African woman rooted in the territory of her Ndebele villages in South Africa.
Esther Mahlangu is a work of art in herself, just as much as her fascinating paintings: she tours the world with neck-lengthening copper rings, copper bracelets around her ankles, coloured beaded crowns on her head, and a highly coloured bead-decorated cover around her body, both in summer and winter. Her art and her life are an extraordinary example of the defence of autochthonic cultures, which have never accepted being part of this omnivorous and all-absorbing context of planetary globalization.