art and architecture bookstore
italiano

email/login

password

remember me on this computer

send


Forgot your password?
Insert your email/login here and receive it at the given email address.

send

chiudi

ricerca avanzata

chiudi

DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Maurice Nio. Suprasensitivity In Architecture

Duizend & Een

Special booklet with translations of the essay in Italian, Chinese and original text in Dutch.
Published in an edition of 850 copies.
English Text.
Amsterdam, 2016; paperback, pp. 256, 120 b/w and col. ill., cm 17x24.
Summary in italian/chinese/dutch.

ISBN: 90-71346-45-5 - EAN13: 9789071346453

Subject: Architects and their Practices

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0.98 kg


"You sometimes have the sensation that, once you enter a particular room, you realize that you're not welcome, that you are out of sync and out of place. It is not a matter of 'a feeling' - it is pure consciousness. Straight through the noise of impressions and moods, there is the pure and primary awareness of the space itself. Beyond the vagaries of taste and subjectivity, there is the notion of the supra-sensitive. This is the realm of atoms - and the world of unique frequencies.
This is the realm where we, designers, must strike a chord by animating the things diligently, by evoking a chain reaction of animated materials.
In the end, it's all about the principle of animation.
Becoming conscious of the supra-sensitive world is one thing; being willing to do something with that consciousness and influence that world is another.
As a designer, you must know how to strike the right chord in stirring up the unique frequency of things - particularly where matter is concerned. If you are able to animate matter with a particular vibration which then triggers another vibration, you have truly achieved something. Animating matter means manipulating its frequency; manipulating a frequency means creating an experience; and the experience created will inevitably be undergone by someone and evoke some emotion."

Cover with thermochromatic ink (changes colour when you touch it by 30 gr Celsius)

YOU CAN ALSO BUY



SPECIAL OFFERS AND BESTSELLERS
€ 37.52
€ 39.50 -5%

ships in 24h


design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci