Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Jon Kessler. The Palace at 4 a.m
Edizioni Charta
Milano, 2007; bound, pp. 131, b/w and col. ill., cm 28x22.
ISBN: 88-8158-658-4 - EAN13: 9788881586585
Subject: DigitalArt,Essays (Art or Architecture),Monographs (Painting and Drawing),Photography,Sculpture
Period: 1960- Contemporary Period
Places: Out of Europe
Extra: US Art
Languages:
Weight: 0.91 kg
Jon Kessler was born in Yonkers, New York in 1957. He has exhibited widely in galleries and museums around the world and he is the recipient many major awards, including grants from the Guggenheim Foundation and the National Endowment for the Arts. In addition to being represented in many of the country's most important museum collections, including The Museum of Modern Art, New York, the Whitney Museum of American Art and the Museum of Contemporary Art in Los Angeles, he has been highly influential in his role at Columbia University's School of the Arts, where he has taught graduate level courses for many years.

