Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
|
Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Carlo Mollino. Designer e fotografo
Electa
Turin, GAM, September 20, 2006 - January 7, 2007.
English Text.
Milano, 2006; paperback, pp. 176, 80 b/w ill., 100 col. ill., cm 24,5x28,5.
(Cataloghi di Mostre).
series: Cataloghi di Mostre
ISBN: 88-370-4857-2 - EAN13: 9788837048570
Subject: Collections,Design,Photography
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 1.248 kg
Friendly and proud, concentrated and distracted, every antithesis is lawful to tell the personality of the exceptional engineer-architect, lucid dreamer selfimportant who never agreed to the triviality of an explanation of his own expression.
His furnitures were almost all commissioned and created as unique pieces and for specified locations of which they were integral parts, synthetizying creative tensions towards the assumption of the organic forms as a referring point and of the feminin curves as a model.
A great exhibit, hold in an important book with critical interventions of Portoghesi, Lisa Ponti, Roggero and Marras, dedicates space to the projects on furnitures and interiors and the famous cars but also to his incredibile passion for photography, where more than two hundreds samples together with emblematic pieces, allow to gather the various moments of the one that was always an intimate component in the relationship between Mollino and his own creativity.

