Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
cover price: € 50.00
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Books included in the offer:
Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
FREE (cover price: € 50.00)
Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850
Co-Editore: Omega Arte.
Torino, 2002; paperback, pp. 182, b/w ill., 102 col. ill., col. plates, cm 21x28.
FREE (cover price: € 60.00)
L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale
Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).
FREE (cover price: € 44.00)
La modernità letteraria. Rivista a cura della MOD, Società italiana per lo studio della modernità letteraria. 0001. 2008
Fabrizio Serra Editore
Pisa, 2008; paperback, pp. 224, cm 17x24.
(La modernità letteraria. Rivista annuale, diretta da Sandro Maxia, Nicola Merola, Angelo R. Pupino. 1.2008.).
series: La modernità letteraria. 0001.
Other editions available: ISSN 1972 7682.
Languages:
Weight: 0.73 kg
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Today it is up to Italian culture and literary education to redefine our modernity, in its hard-won maturity and worn-out traditionalism, its dependency on foreign countries and with its own unmistakable characteristics. The 19th and 20th centuries in Italy continue to await a balanced and all-encompassing focus that can illuminate its diverse aspects without losing sight of their harmonious cohesion. On closer examination, it is impossible to ignore the tools offered by the social sciences to research, and to integrate them with traditional resources of philological and rhetorical knowledge. It goes without saying that analyzing modernity juxta propria principia does not in the least challenge the great legacy of early Italian literature; nor does it imply a disavowal of our lasting debt to Greco-Latin classicism. But perhaps the best aspect of modernity is that it has room for everyone. The lay nature of the idea of literature, implicit in its genetic code, leads to an unbiased liberalization of models and professionally formalized literary modules without however restricting itself to the attitudes and habitual tastes of the purely literary. In literariness without dogmas it is up to the various groups of readers to select their favourite texts according to each specific literary interest. Also, it must be kept in mind that the most fertile innovations can also arise from the lowest levels to the highest. Naturally, the task remains to literary scholars of bringing order to the disorganized, chaotic flux of advanced ideas proposed by writers to readers. And it is for this reason that MOD, the Italian Society for the Study of Literary Modernity, now offers a journal that will gather studies concerning a domain that is reflected in its very name.