Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
cover price: € 50.00
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Books included in the offer:
Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
FREE (cover price: € 50.00)
Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850
Co-Editore: Omega Arte.
Torino, 2002; paperback, pp. 182, b/w ill., 102 col. ill., col. plates, cm 21x28.
FREE (cover price: € 60.00)
L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale
Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).
FREE (cover price: € 44.00)
Fratelli Alinari. Photographers in Florence
Fratelli Alinari
Translation by Pauli E.
Firenze, 2003; paperback, pp. 280, ill., tavv., cm 24x28.
(Storia della Fotografia).
series: Storia della Fotografia
ISBN: 88-7292-436-7 - EAN13: 9788872924365
Subject: Photography,Travel's Culture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Florence,Tuscany
Languages:
Weight: 1.47 kg
The cultural objectives and the working methods of the Florentine studio became a distinctive mark and were imitated throughout Europe. Before long the Alinari were thought of as the representatives of the Italian image in the world.
The second generation of photographers continued to profit from the knowledge acquired in the course of the years and developed new inventions and techniques, never losing sight of the programmatic guidelines still universally valid. The distinctive Alinari mark is there, no matter what the subject of the photograph may be.
The Alinari studio was also influenced by the other arts such as sculpture and architecture and their evolution. Nor does the photographic documentation disregard the more or lesser-known personalities, in addition to the scenes of everyday life and the world of work in the classic tradition of the veristic literature of Giovanni Verga and Grazia Deledda.
Photography is therefore here seen as a tool that bears witness to the history of a society and the revolutionary cultural changes that bridged two centuries.