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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Focus On Michael Ryan. Drawings

Gangemi Editore

Edited by Trizzino S.
Italian and English Text.
Roma, 2015; stapled, pp. 16, b/w and col. ill., cm 19x24.
(Arte, Disegno, Rilievo, Design).

series: Arte, Disegno, Rilievo, Design

ISBN: 88-492-3017-6 - EAN13: 9788849230178

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.06 kg


"Memory is a creative process. The more you remember, the more you invent." Raised in the wake of cultural upheaval in his South Chicago neighborhood - the influx of Mexican, African American and Eastern European workers and families in the early twentieth century, and the subsequent White Flight in the following decades - Ryan felt the constant presence of events that took place before he was born. This is perhaps why his massive drawings, constructed on layered sheets of paper using the simple tools of graphite, ink and gesso, are imbued with a sense of a past that is familiar and alien at the same time.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci