L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 59.00)
Le Onde: Waves of Italian Influence 1914-1971. Traces the International Dialogue and Impact of Italian Avant-Garde Art in Latin America and Europe
Gangemi Editore
Washington DC, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, September 16, 2015 - January 3, 2016.
Washington DC, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, September 16, 2015 - January 3, 2016.
Edited by Gordon Margolis K., Miracco R. and Yoshitake M.
Washington DC, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 16 settembre 2015 - 3 gennaio 2016.
English Text.
Roma, 2015; paperback, pp. 80, col. ill., cm 21x29,5.
(Arti Visive, Architettura e Urbanistica).
series: Arti Visive, Architettura e Urbanistica
ISBN: 88-492-3117-2 - EAN13: 9788849231175
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0.5 kg
Le Onde: Waves of Italian Influence, 1914-1971 is an exhibition of nearly twenty works from the Museum's collection and follows Italian contributions to the transnational evolution of abstraction, through movements and tendencies such as Futurism, Spatialism, Op art and Kinetic art. A pivotal figure in the exhibition is Lucio Fontana, who was born in Argentina to Italian parents and divided his career between the two countries. Embracing the energy and ideas of the technological age was an international phenomenon, and Fontana was central to developments, not only in Italy, but throughout Europe and Latin America.
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