Santa Maria Novella. La basilica e il convento. Vol. 1: Dalla fondazione al tardogotico
Edited by De Marchi A.
Coordinamento scientifico di Carlo Sisi.
Campagna fotografi ca di Antonio Quattrone.
Firenze, 2015; bound, pp. 320, 450 col. ill., cm 25x33,5.
(Le Chiese di Firenze).
cover price: € 50.00
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Books included in the offer:
Santa Maria Novella. La basilica e il convento. Vol. 1: Dalla fondazione al tardogotico
Edited by De Marchi A.
Coordinamento scientifico di Carlo Sisi.
Campagna fotografi ca di Antonio Quattrone.
Firenze, 2015; bound, pp. 320, 450 col. ill., cm 25x33,5.
(Le Chiese di Firenze).
FREE (cover price: € 50.00)
Santa Maria Novella, la Basilica e il Convento. Volume 2. Dalla Trinità di Masaccio alla Metà del Cinquecento
Edited by De Marchi A.
Firenze, 2018; bound, pp. 292, col. ill., cm 25x33,5.
(Le Chiese di Firenze).
FREE (cover price: € 70.00)
Santa Maria Novella, la Basilica e il Convento. Volume 3. Dalla ristrutturazione vasariana e granducale ad oggi
Edited by Spinelli R.
Illustrations by A. Quattrone.
Photographs by Quattrone Antonio.
Firenze, 2018; bound, pp. 355, 416 col. ill., cm 24x33,5.
(Le Chiese di Firenze).
FREE (cover price: € 50.00)
Tributes to Maryan W. Ainsworth. Collaborative Spirit: Essays on Northern European Art, 1350-1650
Harvey Miller Publishers
Edited by A. Koopstra, C. Seidel, J. P. Waterman.
English Text.
London, 2022; bound, pp. 320, 350 col. ill., cm 21,5x27.
(Tributes. 12).
series: Tributes
ISBN: 1-912554-75-5 - EAN13: 9781912554751
Subject: Essays (Art or Architecture)
Languages:
Weight: 1 kg
This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth's emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth's research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media-mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass.