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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Shahryar Nashat. Keep begging

Shahryar Nashat. Keep begging

Lenz Press

Edited by Mclean-Ferris L. and Castets S.
Published with Swiss Institute, New York and Kunsthalle Basel.
English Text.
Milano, 2022; hardback, pp. 260, ill., col. plates, cm 20,5x28,5.

EAN13: 9791280579058

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages: english text  

Weight: 1.25 kg


Bodies function, fight, and fail. People bear witness to these processes every day, actively and passively, in the flesh and on-screen. But bodies are also unruly: they desire and shapeshift and betray. This oscillation between the realities of mortal progression and everything that transpires in those indeterminate zones serves as the basis for Swiss artist Shahryar Nashat's visceral, future-facing practice. What Nashat presents to us, the viewer, are depictions of humanness, of aliveness, filtered through ways of seeing that may have not yet arrived. There are hypotheticals at play, although the sensations generated in Nashat's sculptures and videos point toward primal expressions of desire and survival.

Texts by Negar Azimi, Jordan Carter, Elena Filipovic, Huw Lemmey, Adam Linder, Laura McLean-Ferris, Aram Moshayedi, Hamza Walker

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