Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
cover price: € 50.00
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Books included in the offer:
Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
FREE (cover price: € 50.00)
Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850
Co-Editore: Omega Arte.
Torino, 2002; paperback, pp. 182, b/w ill., 102 col. ill., col. plates, cm 21x28.
FREE (cover price: € 60.00)
L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale
Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).
FREE (cover price: € 44.00)
Metafisica. Quaderni della fondazione Giorgio e Isa de Chirico. 11/13. 2011-2013
Maretti Editore
Italian and English Text.
Falciano, 2014; paperback, pp. 448, b/w and col. ill., cm 17x24.
series: Metafisica. Quaderni della Fondazione Giorgio e Isa De Chirico. 0011-0013
ISBN: 88-89477-65-2 - EAN13: 9788889477656
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 1.13 kg
The latest triple issue: n. 11/13 brings together research undertaken in 2011-2013 with contributions by scholars dealing with historical, theoretical and technical aspects of the Great Metaphysician's art. Among the noteworthy contributions found in the current issue are: Mannequins and Vaticinators by Ester Coen, Through Metaphysical Art by Claudio Strinati and Giorgio de Chirico, Apollinaire and Metaphysical Portraiture by Willard Bohn. A collection of previously unpublished documents enrich the historiographical study of the origins of the artist's family, a subject examined in various essays. Three interviews with de Chirico conducted in the 1970s bear witness to the artist's extraordinary Neometaphysical period (1968-1976). The serious issue regarding the forgery of de Chirico's artwork is dealt with in the feature The Constants of History that includes the publication of a recent judgement by the Milan Court of Appeal.
Essays by: Claudio Strinati, Ester Coen, Willard Bohn, Riccardo Dottori, Lorenzo Canova, Nikolaos Velissiotis, Paolo Picozza, Katherine Robinson, Victoria Noel-Johnson, Elisabetta Cristallini, Simona Rinaldi, Salvatore Vacanti, Stefano Ridolfi, Romano Levante and Luca Lo Pinto.