L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 59.00)
Causes. Il 20% delle Cause Provoca l'80% degli Effetti
Maretti Editore
Edited by Continua Galleria.
Falciano, 2016; hardback, pp. 80, ill., cm 17,5x23.
Progetto di Cecilia Tirelli.
Communication Valeria Carnevali.
ISBN: 88-98855-76-1 - EAN13: 9788898855766
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1960- Contemporary Period
Languages:
Weight: 0.42 kg
The cover title is a " verbal ready-made", a statement referring to Pareto's principle known in economics as Principle of the shortage of factors, according to which most of the effects are due to a limited number of causes: presented in two different idioms with a "reversed" translation (the 20% causes the 80% - the 80% comes from the 20%) it makes us guess that the semantic amusing play is a constant throughout the interview.
Presented in a reduced form as fanzine, published by the Milan publisher Le Dictateur in 2012 in Maurizio Cattelan's Family Business space, New York, the work enriched and perfected, has now reached its natural form as an author's book, just when a reconnaissance reflection on Maurizio Mercuri's production is needed.
The bilingual text, Italian/English, is completed by an iconographic apparatus, featuring many of the artist's chief works: photos, digital works, drawings, sculptures, ready-made, frames from videos and performances. Many of them, granted by galleries and collections, boast prestigious credits (The Milan Triennial Milan, Zero...
Milan, Museo Carlo Zauli Faenza, Salvatore + Caroline Ala Gallery Milan, Massimo De Carlo Milan/London/Hong Kong, Collezione Al-bunduqiyya Venice, Neon Gallery Bologna, Viafarini Milan etc...).
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