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DEAL OF THE DAY

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

cover price: € 240.00

Telemaco Signorini. Catalogo generale ragionato delle opere

Total price: € 240.00 € 740.00 add to cart carrello

Books included in the offer:

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

FREE (cover price: € 240.00)

Telemaco Signorini. Catalogo generale ragionato delle opere

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).

FREE (cover price: € 250.00)

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).

FREE (cover price: € 250.00)

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

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Matthew Brannon. In Italy it's called «department store at night» (five impossible films, i). The rest of the world knows it as «postcards & death certificates»

Mousse Publishing

Milano, 2013; paperback, pp. 144, b/w and col. ill., tavv., cm 20x14.

ISBN: 88-6749-054-0 - EAN13: 9788867490547

Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  italian text  

Weight: 0.32 kg


"On why visual art doesn't matter anymore. Because perhaps it never did. Not in our lifetime. Maybe we tried to make it something it wasn't. For a long time we tried. Maybe we studied and wrote endlessly about something that is less effective at communicating or inspiring or provoking than any film. Literature, he decided, was where it mattered. Where death was transcended. Not in the clutter of pictures and piles of sculpture. But in words and ideas. Art was for the very few or it was for everyone but it failed as something worth so much consideration, time, and energy. Let it be decorative. Let's move on. He thought. Let it distract fools." (Matthew

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci