La mia piccola cucina
Illustrations by Soledad.
Translation by Marzano G.
Milano, 2009; paperback, pp. 359, ill., cm 21,5x26,5.
cover price: € 29.90
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Books included in the offer:
La mia piccola cucina
Illustrations by Soledad.
Translation by Marzano G.
Milano, 2009; paperback, pp. 359, ill., cm 21,5x26,5.
FREE (cover price: € 29.90)
Torte in fiore. Raffinate creazioni floreali in pasta di zucchero
Translation by Destro P. and Tosi L.
Milano, 2014; clothbound, pp. 224, ill., cm 25x29.
(Gli Illustrati).
FREE (cover price: € 35.00)
Orticola di Lombardia. 150 anni di associazione, 20 anni di mostra
Edited by Pizzoni F.
Milano, 2016; bound, pp. 279, ill., cm 24,5x24,5.
FREE (cover price: € 35.00)
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Thao Nguyen Phan: Monsoon Melody
Mousse Publishing
Edited by Han Nefkens Foundation.
English Text.
Milano, 2020; bound, pp. 224, ill., cm 16x24.
ISBN: 88-6749-397-3 - EAN13: 9788867493975
Subject: Photography
Period: 1960- Contemporary Period
Languages:
Weight: 1.18 kg
Co-edited by Fundació Joan Miro, WIELS and Chisenhale Gallery with the support of Galerie Zink Waldkirchen, the publication Monsoon Melody features a large array of images (watercolors and stills from her films) and texts that provide a broad overview of Thao Nguyen Phans latest work. In addition to an interview with the artist by Hilde Teerlinck (curator and CEO of the Han Nefkens Foundation) and a contribution by Han Nefkens (writer, art collector, and founder of the Han Nefkens Foundation), the book contains the films subtitles as well as a collection of essays: Thomas D. Trummer (director of Kunsthaus Bregenz) explores the meeting of poetry and politics in Phans films; Pamela N. Corey (lecturer in South East Asian Art at SOAS University of London) discusses the narrative strategies used to produce alternative histories; and Zoë Gray (senior curator at WIELS, Brussels) looks into play as a way of delving into serious social, political, and cultural issues. An excerpt from a curatorial essay by Sam I-Shan comments upon the film Tropical Siesta, while Phan provides insight into Mute Grain and Becoming Alluvium. The book ends with a poetic appendix written by Lila Matsumoto.
Texts by Zoë Gray, Sam I-Shan, Lila Matsumoto, Han Nefkens, Pamela Nguyen Corey, Thao Nguyen Phan, Hilde Teerlinck, Thomas D. Trummer