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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Ipek Duben: The Skin, Body, and I

Mousse Publishing

Edited by V. Kortun.
Texts by Marianne Hirsch, Kaelen Wilson-Goldie, Isun Önol.
Interview by Vasuf Kortun.
English Text.
Milano, 2024; bound, pp. 272, col. ill., cm 22x26,5.

ISBN: 88-6749-420-1 - EAN13: 9788867494200

Subject: Essays (Art or Architecture)

Languages:  english text  

Weight: 0 kg


?pek Duben: The Skin, Body, and I is the first comprehensive publication focusing on the artist ?pek Duben (b. 1941, Istanbul). The book chronicles her life and work from the 1980s to the present, exploring gender, male violence, displacement, migration, and excessive consumption. Edited by Vas?f Kortun, it lays forth angles previously uncharted, branching out from local, regional, and international readings to fully contextualize Duben's practice. In addition to an extended interview between Kortun and the artist, it includes essays by Marianne Hirsch, Kaelen Wilson-Goldie, and I??n Önol, along with a record of a roundtable discussion on modernism and the art of the 1980s held in conjunction with Duben's solo show in Maçka Sanat Galerisi, Istanbul, in 1991. The texts address how Duben's practice simultaneously engages and breaks with local and Western canons, her manifold explorations of women's embodiment, and her "in-betweenness" in the socioeconomic, political, and artistic contexts of both Turkey and the United States, where she has lived for extended periods.

?pek Duben: The Skin, Body, and I is titled after Duben's exhibition at Salt Beyo?lu in 2021-22. Copublished by Mousse and Salt (Istanbul), it offers an in-depth survey of the artist's oeuvre spanning more than four decades.

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