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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Mascaras / Masks

Mousse Publishing

Texts by Guilherme Blanc, Zach Blas, Grada Kilomba, Valentinas Klimašauskas, João Laia, Omsk Social Club.
English and Portuguese Text.
Milano, 2022; paperback, pp. 64, col. ill., cm 17x24.

ISBN: 88-6749-469-4 - EAN13: 9788867494699

Languages:  other, english text   other, english text  

Weight: 1 kg


"Masks have a long-standing place in the history of societies, having been used for everything from tools of control to protective gear. But they also have a subversive aspect capable of questioning the status quo. Often understood as representations of actual, desired, or imposed social personas, masks hold a special relation to identity, signaling specific attributes and capacities of a person-or the lack thereof. [...] As a symptom of an era of extreme transformation, masking has gained renewed traction and urgency. From the online avatars used for activism, entertainment, or propaganda to the different dynamics either emptying or occupying our streets, practices of caricature, camouflaging, face swapping, masquerading, mimicry, protection, ridicule, social makeup, and transformation have become a staple of our everyday ritualized lives. Could we, therefore, speculate about an ongoing transformation from Macho's facial society into a mask(ed) society? Employing and underlining the subversive potential of masking, this exhibition looks into the ongoing radical reshaping of our multiple historical, sociopolitical, gendered, and transcendental identities, inquiring about current processes through which we shape-shift from one to the other." -Valentinas Klimašauskas, João Laia

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci