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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Vanessa Safavi: Alien Armpit

Mousse Publishing

English Text.
Milano, 2023; bound, pp. 56, col. ill., cm 17x24.

ISBN: 88-6749-527-5 - EAN13: 9788867495276

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Photography

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 1 kg


Alien Armpit brings together short texts and images that the artist Vanessa Safavi made between 2013 and 2022. Safavi collects and thinks about her personal, vivid reality around her home or while traveling, and, occasionally, she writes. Sometimes the writing is automatic, about the art of seeing things: bodies, organs, elephants. In the book, non-chronologically arranged images of folded sheets of rubber revolve around a short story, daydreams, and poems, as if to suggest, in intimate relation, an encounter rather than the event itself. Between stillness and voice, Safavi breathes, amused while suffering. Her research is strongly influenced by her cultural identity, spanning three countries and two continents. For several years, she has been exploring issues related to population movements, tourism, and the notion of exoticism. She questions the soft-sculptural possibilities of representing the body and its relationship to disease, sexuality, and identity, in the process revealing the body's complex, schizophrenic fragility-and the poetry that emanates therefrom.

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