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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Adel Abdessemed. Air

Mousse Publishing

Milano, 2023; paperback, pp. 50, ill., cm 30x40.

ISBN: 88-6749-553-4 - EAN13: 9788867495535

Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures)

Period: 1960- Contemporary Period

Languages:  italian text  

Weight: 0.5 kg


Adel Abdessemed's art undertakes a full and stubborn engagement with freeing the image from formal demonstrations, so as to go straight to the real-that is to say, to substantial trauma and fantasy-very far from any pretention of representing "reality" or sublimating the "imaginary." AIR is an artist's book gathering reproductions of charcoal drawings of bodies suspended in the empty surface of the paper, floating into a non-place, out of time, as if escaping, flying, dropping, disappearing, or dying. The works revisit the usual definition of drawing as a composition of lines; they are traces, shadows, scratches, interstices, gaps, and opacities that offer a unique experience of the density and evanescence of the (in)visible. A poem by Ocean & Wavz echoes Abdessemed's drawing practice. This publication is produced and supported by the Rockbund Art Museum, Shanghai, on the occasion of the 2022 exhibition Adel Abdessemed: An Imperial Message.

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