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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Candice Lin. Pigs and poison

Mousse Publishing

Edited by Leckie R., Stanhope Z. and Yingqian Cai N.
English Text.
Milano, 2023; hardback, pp. 116, b/w and col. ill., cm 17,5x24,5.

ISBN: 88-6749-558-5 - EAN13: 9788867495580

Subject: Collections,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0 kg


“Candice Lin’s art explores marginalized histories, colonial legacies, and the materials that link them. She invokes and interrogates volatile themes through a research-based practice, giving them a sensuous reality through substances like tobacco, opium poppies, bone-black pigment, and lard. More resonant and pungent than usual art materials, her artworks seep and spill-and in this, they evoke the unruly stains of the exploitation, migration, and disease they reference. Her exhibition, experienced through the ears, nose, and skin as much as through the eyes, calls up centuries-old racialized traumas that still have uncanny and urgent meaning today.
Candice Lin: Pigs and Poison is published on the occasion of a significant commission and touring exhibition of the same name, co-commissioned by Govett-Brewster Art Gallery in New Plymouth in Aotearoa, New Zealand, the Guangdong Times Museum in Guangzhou in China, and Spike Island in Bristol in the UK, and presented at the three organizations between 2020 and 2022. Lin’s title refers to the nineteenth-century trade in Chinese indentured laborers-disparagingly called “pigs”-and to opium, or “poison,” which in the same period was imported by the British to China and used as both a commodity and a mechanism for controlling the workers who became addicted to it.”

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