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DEAL OF THE DAY

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

cover price: € 240.00

Telemaco Signorini. Catalogo generale ragionato delle opere

Total price: € 240.00 € 740.00 add to cart carrello

Books included in the offer:

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

FREE (cover price: € 240.00)

Telemaco Signorini. Catalogo generale ragionato delle opere

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).

FREE (cover price: € 250.00)

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).

FREE (cover price: € 250.00)

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

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Enredos: Eva Fàbregas

Mousse Publishing

Edited by Rodríguez Muñoz B.
English and Spanish Text.
Milano, 2023; paperback, pp. 230, ill., b/w and col. plates, cm 16,5x22.

ISBN: 88-6749-581-X - EAN13: 9788867495818

Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english, spanish text   english, spanish text  

Weight: 0 kg


Published on the occasion of the first chapter of “Enredos”-Centro Botín’s new exhibition programme engaging artists who received a Fundación Botín grant in the past to “become entangled” with the Foundation’s collection, building, and audiences-this is the debut publication of the Spanish artist Eva Fàbregas. In her works Fàbregas explores tactility, physical intimacy, and various forms of somatic experimentation, reinforcing the need to feel the world around us through perception-soft plastics, nets, lycras, technological devices: all have one thing in common, they are malleable. Many titles of her works allude to natural processes, again inviting us to relate to art viscerally.

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