Il Maestro dei bambini turbolenti. Sandro di Lorenzo sculture in terracotta agli albori della Maniera
Perugia, 2020; paperback, pp. 504, col. ill., cm 20x24.
cover price: € 80.00
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Books included in the offer:
Il Maestro dei bambini turbolenti. Sandro di Lorenzo sculture in terracotta agli albori della Maniera
Perugia, 2020; paperback, pp. 504, col. ill., cm 20x24.
FREE (cover price: € 80.00)
Storia delle arti figurative a Faenza. I. Le origini
Faenza, 2006; paperback, pp. 193, 22 b/w ill., 98 col. plates, cm 17x24.
FREE (cover price: € 25.00)
Storia delle arti figurative a Faenza. II. Il Gotico
Faenza, 2007; paperback, pp. 368, b/w and col. ill., tavv., cm 17x24.
FREE (cover price: € 40.00)
Storia delle arti figurative a Faenza. III. Il Rinascimento. Pittura, miniatura, artigianato
Faenza, 2009; paperback, pp. 296, 225 b/w and col. ill., 225 b/w and col. plates, cm 17x24.
FREE (cover price: € 30.00)
Ritratti di imperatori e profili all'antica. Scultura del Quattrocento nel Museo Stefano Bardini
Edited by Nesi A.
Saggio di Francesca Maria Bacci.
Firenze, 2012; paperback, pp. 199, b/w ill., b/w plates, cm 17x24.
(Museo Stefano Bardini).
FREE (cover price: € 25.00)
Il Cinquecento. Parte Prima
Faenza, 2015; paperback, pp. 332, b/w and col. ill., cm 17x24.
(Storia delle Arti Figurative a Faenza).
FREE (cover price: € 40.00)
Julia Phillips: Energy exchange
Mousse Publishing
Texts by Daniella Rose King and Magdalyn Asimakis.
English and German Text.
Milano, 2023; hardback, pp. 192, ill., b/w and col. plates, cm 21x28.
ISBN: 88-6749-588-7 - EAN13: 9788867495887
Subject: Collections,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture
Languages:
Weight: 0.94 kg
Energy Exchange is the first monograph of Julia Phillips. The artworks featured were created over the last decade, after Phillips moved from Germany to the United States, and reflect her interests in postcolonial studies, social belonging, diaspora, psychoanalytic theory, gender studies, and Black feminist thought. The decision to have all texts translated into the artists first language, German, was led by her wish to contribute to an exchange of discourse and of culture between the English- and German-speaking regions in which her work is exhibited. The title describes a conceptual framework: taking its cues from Phillipss sculptural practice, it implies something transactional, referring simultaneously to physical, mechanical, psychic, and spiritual exchange.