De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Ludovic Nkoth: What If
Mousse Publishing
Text by Elliot Barnes, Aindrea Emelife. Interview by Osei Bonsu.
English Text.
Milano, 2024; bound, pp. 82, ill., cm 24x32.
ISBN: 88-6749-620-4 - EAN13: 9788867496204
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
"It's important to acknowledge the conversation you're participating in...and also remembering that this conversation wasn't always open to everyone," says painter Ludovic Nkoth (born 1994) of his artistic practice. "Paint isn't neutral." Based in New York but born in Cameroon, Nkoth creates fluid and intimate portraits of Black subjects are all inspired by the country of his birth. His scenes capture the private lives of his subjects, in moments of thought, rest and recreation, inviting the viewer to imagine alternative narratives surrounding images of the Black experience. These paintings carried a special significance when they were exhibited within the Fondation Le Corbusier - Maison La Roche, a gallery intended for a collection of 20th-century abstract art, whose most famous figures borrowed the language of African art but assigned little merit to its creators.

