L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 59.00)
Ludovic Nkoth: What If
Mousse Publishing
Text by Elliot Barnes, Aindrea Emelife. Interview by Osei Bonsu.
English Text.
Milano, 2024; bound, pp. 82, ill., cm 24x32.
ISBN: 88-6749-620-4 - EAN13: 9788867496204
Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
"It's important to acknowledge the conversation you're participating in...and also remembering that this conversation wasn't always open to everyone," says painter Ludovic Nkoth (born 1994) of his artistic practice. "Paint isn't neutral." Based in New York but born in Cameroon, Nkoth creates fluid and intimate portraits of Black subjects are all inspired by the country of his birth. His scenes capture the private lives of his subjects, in moments of thought, rest and recreation, inviting the viewer to imagine alternative narratives surrounding images of the Black experience. These paintings carried a special significance when they were exhibited within the Fondation Le Corbusier - Maison La Roche, a gallery intended for a collection of 20th-century abstract art, whose most famous figures borrowed the language of African art but assigned little merit to its creators.
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