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DEAL OF THE DAY

La mia piccola cucina

Illustrations by Soledad.
Translation by Marzano G.
Milano, 2009; paperback, pp. 359, ill., cm 21,5x26,5.

cover price: € 29.90

La mia piccola cucina

Total price: € 132.90 € 132.90 add to cart carrello

Books included in the offer:

La mia piccola cucina

Illustrations by Soledad.
Translation by Marzano G.
Milano, 2009; paperback, pp. 359, ill., cm 21,5x26,5.

FREE (cover price: € 29.90)

La mia piccola cucina

Torte in fiore. Raffinate creazioni floreali in pasta di zucchero

Translation by Destro P. and Tosi L.
Milano, 2014; clothbound, pp. 224, ill., cm 25x29.
(Gli Illustrati).

FREE (cover price: € 35.00)

Torte in fiore. Raffinate creazioni floreali in pasta di zucchero

Orticola di Lombardia. 150 anni di associazione, 20 anni di mostra

Edited by Pizzoni F.
Milano, 2016; bound, pp. 279, ill., cm 24,5x24,5.

FREE (cover price: € 35.00)

Orticola di Lombardia. 150 anni di associazione, 20 anni di mostra

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

chiudi

Pittura, luce, colore. Atti del IV colloquio AIRPA, Urbino 17-19 giugno 2021

Quasar

Edited by A. Santucci.
Roma, 2023; paperback, pp. 420, col. ill., cm 21x30.
(Airpa - Associazione Italiana Ricerche Pittura Antica. 4).

series: AIRPA - Associazione Italiana Ricerche Pittura Antica

ISBN: 88-5491-382-0 - EAN13: 9788854913820

Subject: Essays (Art or Architecture),Painting

Languages:  italian text  

Weight: 1 kg


This volume is the fourth of the series Collana AIRPA, publications by the Italian Association for Ancient Painting Research, and contains the contributions presented at the colloquium on the theme Painting, light, colour, organized on the 17th-19th June 2021 in Urbino (PU).
Painting experience cannot be understood without retrieving it, on a case by case basis, from the political, economic, social and cultural complexities that generated its ideas, uses, purposes and values; the artisan practices that managed its materials, selecting, manipulating and experimenting it on a variety of supports and with diverse techniques; the visual and perceptional dynamics that have accompanied its contextual use and the 'sensory enjoyment' within the architectural, real or imagined space; the restoration and transmission methods set in motion historically and which modern day diagnostics, both invasive and otherwise, give concrete proof of; the history of the culture that assessed and interpreted the resulting work; the exhibition strategies that ensure its current conservation and use. Painting experience can thus not be understood without reference to the light-colour dualism, this inescapable, fundamental nexus in all artistic expressions and especially in painting.
The essays in the first part of the volume (Painting, light, colour) examine the theme from various angles and from a multi-disciplinary perspective introduced by the five opening contributions, while those in the second (Reinterpretations and new data) cast light on various, novel or little known painting legacies, generating a rich and complex panorama that encompasses a range of space and time frames.

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