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DEAL OF THE DAY

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

cover price: € 240.00

Telemaco Signorini. Catalogo generale ragionato delle opere

Total price: € 240.00 € 740.00 add to cart carrello

Books included in the offer:

Telemaco Signorini. Catalogo generale ragionato delle opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

FREE (cover price: € 240.00)

Telemaco Signorini. Catalogo generale ragionato delle opere

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).

FREE (cover price: € 250.00)

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).

FREE (cover price: € 250.00)

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

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Giacomo Manzù. Sculptor and Draughtsman

Silvana Editoriale

London, Estorick Collection of Modern Italian Art, January 15 - April 3, 2016.
English Text.
Cinisello Balsamo, 2016; paperback, pp. 80, 40 col. ill., cm 17x24.
(Arte).

series: Arte

ISBN: 88-366-3299-8 - EAN13: 9788836632992

Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Sculpture and Decorative Arts),Sculpture

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english text  

Weight: 0.3 kg


A true great of twentieth-century sculpture, Giacomo Manzù (1908-1991) is renowned for his delicate and moving work focusing predominantly on portraiture and religious imagery.
And yet, as sensitive to line as he was to form, his drawings exhibit the same restrained power and sinuous qualities that are familiar to us from his more celebrated three-dimensional work and bas-reliefs.
Early in his career Manzù appropriated Christian iconography to make passionate and unflinching indictments of Nazi- Fascist violence. In the post-war era he would establish himself as one of Italy's foremost sculptors of religious subjects;
yet like his contemporary, Emilio Greco, the artist was as drawn to the sensual world as he was to that of the spirit.
Organised with Bologna's Galleria d'Arte Maggiore, this exhibition celebrates one of modern Italian art's undisputed masters.

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