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The Art of Campari

Silvana Editoriale

Londra, Estorick Collection of Modern Italian Art, July 4 - September 16, 2018.
Edited by Cremoncini R.
English Text.
Cinisello Balsamo, 2018; paperback, pp. 96, col. ill., cm 24x28.
(Design & Designers).

ISBN: 88-366-4026-5 - EAN13: 9788836640263

Subject: Design,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Painting

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english text  

Weight: 0.52 kg



Since the nineteenth century, Campari has been responsible for some of the most distinctive and innovative advertising images created in Italy.

Founded in Milan in 1860, the company quickly began to pursue a dynamic approach to marketing its products, harnessing the new power of the advertising poster. Aiming to create a sophisticated brand pro le, Campari worked with some of the most celebrated designers of the early 1900s, including Leonetto Cappiello, Marcello Dudovich, Adolf Hohenstein, and Marcello Nizzoli. However, it was the ground-breaking campaigns created by the Futurist artist Fortunato Depero that became Campari's most celebrated commissions. From the mid-1920s, his bold, witty and geometric designs modernized Campari's look, creating an unmistakable visual identity; his designs were also the basis of the famous conical Campari Soda bottle, launched in 1932. Depero's belief that the publicity poster would be 'the painting of the future' continued to inform Campari's post-war commissions, which included elegant and vibrant designs epitomizing the spirit of the 'Swinging Sixties'.

Drawn from the company's extensive archives in Milan, this selection of images includes Belle Eìpoque posters and original artwork for the revolutionary campaigns of the 1920s, in addition to equally striking examples of post-war graphic design and a range of vintage crates, glasses, plaques and other ephemera.

London, Estorick Collection, July - September 2018

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci