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DEAL OF THE DAY

Giovanni Boldini. Il Piacere

Rovereto, Mart, November 14, 2020 - February 28, 2021.
Edited by Beatrice Avanzi and Tiziano Panconi.
Genova, 2020; paperback, pp. 368, col. ill., col. plates, cm 24x28.

cover price: € 54.00

Giovanni Boldini. Il Piacere

Total price: € 54.00 € 171.47 add to cart carrello

Books included in the offer:

Giovanni Boldini. Il Piacere

Rovereto, Mart, November 14, 2020 - February 28, 2021.
Edited by Beatrice Avanzi and Tiziano Panconi.
Genova, 2020; paperback, pp. 368, col. ill., col. plates, cm 24x28.

FREE (cover price: € 54.00)

Giovanni Boldini. Il Piacere

Ottocento. Catalogo dell'Arte Italiana dell'Ottocento. Vol. 30

Milano, 2001; paperback, pp. 495, b/w ill., col. plates, cm 22x30,5.

FREE (cover price: € 40.00)

Ottocento. Catalogo dell'Arte Italiana dell'Ottocento. Vol. 30

Ottocento. Catalogo dell'arte italiana dell'Ottocento. VOL. 28

Milano, 1999; bound, pp. 800, col. plates, cm 22x30.

FREE (cover price: € 77.47)

Ottocento. Catalogo dell'arte italiana dell'Ottocento. VOL. 28

chiudi

Martine Franck. Looking at Others

Silvana Editoriale

Bard, Forte di Bard, March 9 - June 2, 2024.
English Text.
Cinisello Balsamo, 2024; bound, pp. 208, 194 b/w ill., cm 22x26,5.

Other editions available: Edizione italiana 88-366-5649

ISBN: 88-366-5648-X - EAN13: 9788836656486

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0 kg


This book was conceived to shed light on the significant visual contribution made to photography by Martine Franck, an influential woman photographer active during the final third of the 20th-century. Celebrating her most renowned images of childhood, old age and theatre, many of which have become iconic, this book also offers a glimpse into swathes of her work depicting labour, the women's liberation movement and consumer society, which have seldom been displayed before now. This new retrospective brings to a wider audience this truly humanistic artist, who engaged so deeply with her times, and for whom the camera was the privileged medium for looking at others.

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