Cézanne/Renoir. Masterpieces from the Musée de l'Orangerie and the Musée d'Orsay
Skira
Edited by Zuffi Stefano and Cécile Girardeau.
English Text.
Milano, 2024; hardback, pp. 192, 85 col. ill., cm 21x26.
Edizione italiana 88-572-5160.
ISBN: 88-572-5226-4 - EAN13: 9788857252261
Subject: Collections,Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 0 kg
Each developing their own particular style - Cézanne with an emphasis on rigour and geometry, Renoir a focus on harmony and softness - the two masters were pivotal figures of their time, from the last quarter of the nineteenth century into the early twentieth, from the inception of Impressionism to its peak.
The two painters met in Paris in the 1960s and forged a lasting friendship based on mutual admiration, exploring questions about their art and cultivating shared interests in genres ranging from still life to landscape, portrait, and the nude.
This book showcases masterpieces collected by art dealer Paul Guillaume, who recognized Cézanne and Renoir as pioneers of a style that was both classical and modern.
After Guillaume passed away, his widow Domenica Walter continued to build the collection, which is today housed at the prestigious Musée de l'Orangerie and Musée d'Orsay in Paris.
Published on the occasion of the extraordinary exhibition at the Palazzo Reale, the volume presents fifty masterpieces by Cézanne and Renoir (together with three modern paintings by Picasso and Kees Van Dongen) offering an exhaustive survey of the work of the two artists, from the first canvases of the 1870s to the mature works of the early 20th century; works that represent their best achievements, whether in landscape painting (Renoir, Snowy Landscape, 1875; Cézanne, Trees and Houses, 1885) or still lifes (Renoir, Flowers in a Vase, 1898; Cézanne, The Blue Vase, 1889-1890), or portraits (Renoir, Claude Renoir in Clown Costume, 1909; Cézanne, Portrait of Madame Cézanne, 1885-1895), or of the famous series of bathers (Renoir, Bather with Long Hair, 1895; Cézanne, Three Bathers, 1874-1875).
Baia grande. La pialassa Baiona ultima frontiera per una valle salmastra
Konrad. Per quanto un'oca allunghi il collo non diventerà mai un cigno