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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Coop Himmelb(l)au

Taschen

Edited by Gossel P.
English, French and German Text.
Köln, 2010; clothbound, pp. 528, ill., cm 35x45.
(Extra Large).

series: Extra Large

ISBN: 3-8365-1788-4 - EAN13: 9783836517881

Subject: Civil Architecture/Art,Design

Languages:  english, french, deutsch text   english, french, deutsch text   english, french, deutsch text  

Weight: 5.65 kg


Architecture must burn.
Open-minded designs and undefined spaces of radical architecture.
"Coop Himmelb(l)au is not a color but an idea of creating architecture with fantasy, as buoyant and variable as clouds." So the architecture group itself defines its name and design concept. Beginning with inflated bubbles and interactive installations in the 1960s, the group, consisting of the architects Wolf D. Prix, Helmut Swiczinsky and Michael Holzer, began to create harsh interventions in the urban context under the headline "architecture must burn." The designs of the buildings are like oversized sound boxes, with dancing silhouettes and collapsing lines that are always rushing and echoing. As one of only a few groups in those early times, they are among the leading international architecture offices today, justified by their outstanding expressiveness and professionalism.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci