De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Coop Himmelb(l)au
Taschen
Edited by Gossel P.
English, French and German Text.
Köln, 2010; clothbound, pp. 528, ill., cm 35x45.
(Extra Large).
series: Extra Large
ISBN: 3-8365-1788-4 - EAN13: 9783836517881
Subject: Civil Architecture/Art,Design
Languages:
Weight: 5.65 kg
Open-minded designs and undefined spaces of radical architecture.
"Coop Himmelb(l)au is not a color but an idea of creating architecture with fantasy, as buoyant and variable as clouds." So the architecture group itself defines its name and design concept. Beginning with inflated bubbles and interactive installations in the 1960s, the group, consisting of the architects Wolf D. Prix, Helmut Swiczinsky and Michael Holzer, began to create harsh interventions in the urban context under the headline "architecture must burn." The designs of the buildings are like oversized sound boxes, with dancing silhouettes and collapsing lines that are always rushing and echoing. As one of only a few groups in those early times, they are among the leading international architecture offices today, justified by their outstanding expressiveness and professionalism.

