Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Franco Grignani. Alterazioni Ottico Mentali 1929- 1999. Optico-Mental Alterations 1929-1999
Umberto Allemandi
Milano, Galleria Gruppo Credito Valtellinese, January 23 - March 15, 2014.
Edited by M. Grignani, Guerra L. and Quadrio Curzio A.
Italian and English Text.
Torino, 2014; hardback, pp. 160, b/w and col. ill., cm 22x30.
ISBN: 88-422-2299-2 - EAN13: 9788842222996
Subject: Architects and their Practices,Design,DigitalArt,Essays (Art or Architecture),Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 1.04 kg
H e began as a futurist an d end ed up "optical".
Between these two extremes is the creation of one of the most famous of ali marks, worldwide - the Woolmark. The year was 1963. ltaly was experiencing a period of economie boom.
Grignani's work as a graphic artist was centrai to the world, just as Milan was centrai to the system of production both in ltaly and Europe.
Grignani's work as a painter was known about, but the art system failed to provide the recognition which he deserved. The community of graphic designers, however, praised him internationally. The struggle against the old bogus distinction between visual and applied arts would provide a stimulus for him in his research, which lasted until his death in Milan in 1999, when the great challenge of sociallyoriented design work also carne to an end.
His work remains with us. lt represents the crystallised part of a greater project and an attempt to provide a demonstration of human perception and its alterations.

