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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Goltzius-Studies: Hendrick Goltzius (1558-1617)

Goltzius-Studies: Hendrick Goltzius (1558-1617)

Waanders Uitgevers

English and German Text.
Zwolle, 1993; hardback, pp. 544, 348 b/w ill., cm 20,5x26,5.
(Nederlands Kunsthistorisch Jaarboek).

series: Nederlands Kunsthistorisch Jaarboek

ISBN: 90-6630-351-4 - EAN13: 9789066303515

Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Places: Europe

Languages: english, deutsch text   english, deutsch text  

Weight: 1.97 kg


This double issue is volume 42-43 of the Netherlands Yearbook for History of Art. It focuses on the work of the artist Hendrick Goltzius from Haarlem, who lived from 1558 to 1617. He was one of the most important Dutch artists of his age. The Goltzius yearbook includes the results of recent investigation. There is commentary on the biography of Goltzius by his contemporary Karel van Mander. The stylistic and substantive aspects of his work are discussed. The allegorical character of the prints is analysed. An extensive bibliography along with contributions and summary in English complete the yearbook.

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